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Tobias Hllerer. tdewar@ucsb.edu Donate to the Lab. Department of Computer Science. Work He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. Phone: (813) 974-7522. jennifer jacobs ucsb. His 2005 CD/DVD album POINT LINE CLOUD was re-issued by Presto!? MFA Hunter College At UCSB, she directs the Expressive Computation Lab, which . In this email, Birchim explains how many students are "finding themselves without options" for In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. Undergraduate Research Fellow, Black Studies & Sociology, 2019-present. Lisa Jevbratt's work - ranging from internet visualization software to biofeedback and interspecies collaboration - is concerned with collectives and systems, the languages and conditions that generate them, and the exchanges within them. Ken Fields received a doctorate in Media Arts from the University of California at Santa Barbara. She is also the founding co-editor of a new UC Press open-access journal, Media+Environment. From 1994-2010 he was a member of the International Academy of Electroacoustic Music in Bourges, France. mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) The lab focuses on computational-based creative explorations in the fields of data visualization, visual language, machine vision, computational photography, interactive digital installations and related directions addressing the impact of computation on visualization. She joined the UCSB faculty in 2001 after receiving her M.S. Click Here to Login with UCSB Net ID. Dr. Cabrera's current research in interactive distributed computation is directed towards tackling the diverse complex issues around computational workflows in scientific research through the merging of human-computer interaction, literate programming, and multimedia display. Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. Office: ED 2218, History-Social Science Alan Liu is Professor in the English Department at the University of California, Santa Barbara, and previously a faculty member in the English Department and British Studies Program at Yale University. She is director of the Expressive Computation Laba group whoseresearchspanscomputational art and design, human computer interaction, and systems engineering. Jennifer JACOBS of University of California, Santa Barbara, CA (UCSB) | Contact Jennifer JACOBS And if you know of other websites that may be useful to your colleagues, and should perhaps be added . 0000008235 00000 n
He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. Pollock T.M, Clarke A.J, Babu S.S . College of Engineering - UC Santa Barbara. When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. She completed a masters of science in the High-Low Tech group and an . He began his research in the field of British romantic literature and art. As a historian, McCray is fascinated by the visions of the future that litter the past. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). Sarah Jacobs Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. Sarah Jacobs sarahjacobs@ucsb.edu Office: ED 3232. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Current projects involve bio-inspired microstructured adhesive materials, non-linear compliant mechanisms, high-power soft actuators,soft exoskeletons, and growing robots. He received the Masters of Architecture at Ohio State university in 1983. kblackwell@ucsb.edu of Chicago Press). He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. 0000000016 00000 n
3. Technical Director, AlloSphere Research Facility. He studied organ performance, composition and architecture in Lisbon. In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. Office: ED 3234, Education Specialist Mild/Moderate Support Needs (ESC, Special Ed) Professor Jennifer Jacobs. Department of Germanic and Slavic Studies. BA University of Oregon, Computer Science, Media Arts and Technology. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Associate Professor
2) Broadening professional computational making through computational fabrication technologies. Professor of Computer Science. His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. Professor Jacobs has authored numerous journal papers and chapters on a wide range of topics dealing with vision and the visual system. ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. TikTok; Twitter; Instagram; LinkedIn; Her recent work focuses on progamming language and runtime support for cloud computing. She works across the fields of computational art and design, human computer interaction, and systems engineering. During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). Google Scholar. Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. George Legrady, Distinguished Professor of Digital Media. Center for Black Studies Research 4603 South Hall University of California Santa Barbara, CA 93106-3140 T 805.893.3914 F 805.893.7243 E cbsr-assistant@ucsb.edu. Chandra has supervised and mentored over 40 students, has published her work in a wide range of ACM venues including CGO, ECOOP, PACT, PLDI, OOPSLA, ASPLOS, and others, and leads several educational and outreach programs that introduce computer science to young people, particularly those from underrepresented groups. His studio in Beijing specializes in live music performance over highspeed networks. We need to make computers accessible to all people in all situations. PhD Massachusetts Institute of Technology He was visiting faculty at UCLA, Nova Scotia College of Art & Design, and the National Academy of Fine Arts, Budapest, Hungary. Since that time he has taught at Ohio State, University of Texas Austin, the Architecture program at UCLA, the Digital Media program at UCLA, and the Art Center College of Design, in Pasadena. In 2000, he joined the Stanford Graphics Lab where he did research on real-time rendering and computational photography. Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. As part of her research, she has conducted craft and technology workshops around the world. In his role as CREATE Research Director he leads interactive distributed computation research and development at the Allosphere Research Facility. 0000003926 00000 n
Research has been funded by the National Science Foundation, the Robert W. Deutsch Foundation, UCSB Center for NanoTechnology in Society, University of California Faculty Senate Research Grants, University of California Institute for Research in the Arts. Snap, United States and Computer Science, Princeton University, United States, Michael Nebeling Ph.D. Massachusetts Institute of Technology, MAT and Computer Science. sarahjacobs@ucsb.edu Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. He holds joint appointments with the Department of Art and the Media Arts & Technology graduate program at the University of California Santa Barbara, and was appointed as Co-Director of the Univerisy of California system-wide Institute for Research in the Arts in 2009, where he is coordinating the art/science Integrative methodologies initiative. Biography. h1 04u\c=t4miC. RE Touch Lab - Director and Principal Investigator. His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. He is currently writing a new book about "visioneers" - people who used their technical expertise to promote visions of a more expansive future made possible by the technologies they studied, designed, and promoted. 0000007933 00000 n
and B.F.A from Hunter College and the University of Oregon respectively. She also received an M.F.A. 3) Broadening entry points into computer science learning by blending programming with art, craft, and design. To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. Jennifer Pharaoh '82 . 293: jennifer jacobs ucsbhow to check how many warnings you have on roblox. From 2014-2015, she was a Robert Wood Johnson Foundation wellbeing research fellow at the Media Lab. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. Design and Tailoring of Alloys for Additive Manufacturing. Reflecting that emphasis, she is one of the principal developers of the Regional Hydro-Ecologic Simulation System (RHESSys), an integrated model of spatially distributed carbon, water, and nitrogen cycling. Office: ED 3228, Multiple-Subject (MST, Elementary) BY Bill Faries, Jennifer Jacobs, and others August 31, 2022 Politics Biden says the U.S. will send an additional $1.3 billion in military and economic aid to Ukraine A researcher at MIT (1980-1986), he also worked in the computer software industry for a decade. Phone: (805) 893-2968. She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). Login with your UCSB net ID to manage your events. They are being embedded into the world around us, and we are carrying (soon wearing) them wherever we go. . Since then, Jennifer had been continuing to work on her "JMETHOD" brand, as well as teaching classes through "Ladder Teams" platform . The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. Please enable it to continue. My idea of a perfect meal: One that is shared with family, friends, or loved ones. At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Add to Calendar 01/19/2023 02:00 PM 01/19/2023 03:00 PM America/Chicago Jennifer Jacobs (UCSB) - Expressive Computation: . jjacobs9@gmail.com. D. from Indiana University. and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). Rooms 2024 and 2005, Elings Hall. 0000001921 00000 n
Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. Since 1996, he has written widely on the history of science and technology after 1945 including two books: Giant Telescopes: Astronomical Ambition and the Promise of Technology (Harvard University Press, 2004) is an exploration of the politics, policy, and technology behind the current generation of ground-based telescopes while Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age (Princeton University Press, 2008) chronicles the activities of citizen-scientists who organized a global network of satellite spotters during the Cold War. In 2004, he began researching a new method of sound analysis that is the analytical counterpart of granular synthesis called dictionary-based pursuit (DBP). Jennifer Jacobs, J Method Fitness, will help you reach your goals no matter what they are and where you are, rom personal training, cycling, running, shadowboxing, movement and mobility, nutrition, etc. Office: ED 3232, Single-Subject (SST, Secondary) Trained in engineering and physics, he received the PhD in Electrical and Computer Engineering from McGill University, and MA and BA degrees in Physics from The University of Texas, Austin and Wesleyan University. University of California, Santa Barbara. 0000010120 00000 n
In particular, we investigate the design, engineering and study of human-AI integration through novel interfaces, interactions, tools and systems focusing on skill acquisition, task guidance and creative collaboration. Cyborgs and Space. To answer these questions, our current work focuses on Human-Computer Interaction (HCI), eXtended Reality (XR), and Human-Centered Artificial Intelligence (AI). He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. 0000005687 00000 n
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The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. Fax: (805) 893-8736 Although computational tools and computer programs are used more now than ever it can be difficult to fully integrate technology into art and design because of how different each artist is. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . Many of her rides had remained available until a class purge in August 2020 . by | Jun 10, 2022 | maryland gymnastics meets 2022 | gradient learning headquarters | Jun 10, 2022 | maryland gymnastics meets 2022 | gradient learning headquarters Lab: room 3005 (Systemics Lab), Elings Hall. UC Santa Barbara Alumni. David Young 0000004961 00000 n
Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. Research in HCI, with focus on AR/VR, InfoVis, 3D displays and UI, Computer Vision, contextual and social computing. Born in 1945, Clarence Barlow obtained a science degree at Calcutta University in 1965 and a concert pianist diploma from Trinity College of Music London the same year. University of California, Santa Barbara. In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. A Zoran, SO Valjakka, B Chan, A Brosh, R Gordon, Y Friedman, J Jacobs, D Mellis, A Zoran, C Torres, J Brandt, TJ Tanenbaum, Proceedings of the 2016 ACM Conference Companion Publication on Designing, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, G Benabdallah, S Bourgault, N Peek, J Jacobs, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Proceedings of the 1st Annual ACM Symposium on Computational Fabrication, 1-2, Proceedings of the 33rd Annual ACM Symposium on User Interface Software and, Proceedings of Constructionism 2014 Conference. Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. I am strangely not a huge fan of capers. Email: esprogram@es.ucsb.edu. 1,160 following. Assistant Professor of Media Arts and Technology, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. Records, Milan in 2019. I am an Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy), where I direct the Expressive Computation Lab. 1,650 posts. Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. Extending Manual Drawing Practices with Artist-Centric Programming Tools In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Montreal, QC, Canada, April 2018. trailer
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Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. 0000001885 00000 n
UC Santa Barbara. His artistic works have exhibited at some of the most prominent cultural venues in the world. In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. 0000001555 00000 n
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Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technology's Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Fabian Offert is Assistant Professor for the History and Theory of the Digital Humanities in the Department of Germanic and Slavic Studies at the University of California, Santa Barbara. Matthew Turk is current President of the Toyota Technological Institute at Chicago, an independent philanthropically endowed graduate research institute that focuses on computer science theory and artificial intelligence. MFA Computers in Fine Arts, CADRE, San Jose State University. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Lecturer. Jennifer's research is situated within the context of teacher education. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. Jevbratt also publishes texts on topics related to her work and research, for example in the anthology "Network Art - Practices and Positions" (Routledge). Chandra is an ACM Senior Member and an IEEE Senior Member. Professor
He has received over 70 international prizes and awards for his works, including three Prizes at Bourges Electroacoustic Music Competition, the prestigious Magisterium Prize and Giga-Hertz Special Award, 1st Prize in Metamorphoses competition, 1st Prize in Yamaha-Visiones Sonoras Competition, 1st Prize in Musica Nova competition. 1960). She holds a doctoral degree in Curriculum, Instruction, and Teacher Education from the University of Florida. The Experimental Visualization Lab (ExpVisLab) is one of 7 dedicated research labs in the Media Arts & Technology arts-engineering program at UCSB. Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Recently published from Univ. Assistant Professor (Computational Craft and Haptic Media)
The University of Georgia, +2 more Jennifer Jacobs Social Worker at Sir Moses Montefiore Jewish Home Greater Sydney Area. Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces.
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